ART-105 Introduction to Drawing, Color, and Two Dimensional Design, (SC) 3 units
(May be repeated once. 36 hours lecture/72 hours laboratory per term. Recommended: Eligibility for ENGL-116/118 or equivalent. CSU, UC
|
Leonardo da Vinci (1452-1519)
drawing for a flying machine |
Course Description and Objectives
This course includes an introduction to drawing concepts and techniques, linear perspective and color theory fundamentals, with an emphasis on design principles and composition. Students will learn to identify the elements that define two-dimensional art and design and be able to demonstrate basic drawing skills, color manipulation and application of design principles. Students will have the opportunity to critique their own artwork and the artwork of others.
The class will include lectures, demonstrations of drawing techniques, guided studio practice, and field trips to museums, galleries, and public spaces in Florence. The field trips will afford students the opportunity to view and research historical and contemporary drawing styles, materials, and techniques as well as study examples of Florence’s architecture, public sculpture, piazza design, and museum exhibitions. Examination of these examples will be used to support the classroom lessons in drawing techniques, linear perspective and color theory. Students will have the opportunity to engage with their observations and demonstrate expression through analysis and discussion of the role of materials and the role of the artist in selected works. Studio practice time will further provide students a creative environment in which to practice the application of traditional drawing techniques and painting materials in the completion of course assignments.
DAYS/TIMES: Lec/Lab hours /week TBD
ART-106 Drawing and Composition, (SC) 3 units
(May be repeated once. 36 hours lecture/72 hours laboratory per term. Recommended: ART 105 or equivalent; eligibility for ENGL 116/118 or equivalent. CSU, UC
|
Raffaello Sanzio (Raphael) (1483-1520)
The School of Athens |
Course Description and Objectives
This course will focus on a continued exploration of drawing concepts, descriptive drawing, and logical rendering of form with an emphasis on stylistic development. Students will explore traditional drawing materials with additional color media such as pastel and conte crayon. Instruction and exercises will focus on the improvement of students’ ability to draw from direct observation as well as refine their ability to critique their artwork and the artwork of others presented in class. Students will create a portfolio of artwork demonstrating their individual expression and conceptual skills.
The class will include lectures, demonstrations of drawing techniques, guided studio practice, and field trips with special emphasis on drawing from the rich Florentine visual experience. Class walking tours will provide students the opportunity to practice observational drawing and hone visual skills through direct encounters with historical and contemporary drawing styles, materials, and techniques as well as to study examples of Florence’s architecture, public sculpture, piazza design, and museum exhibitions. Students will explore the personal relationships between artists and collectors to the city-environment – not to mention the art of everyday living in a Florentine neighborhood – in visits to local artists’ workshops. Materials and techniques will be researched and student will have the opportunity to examine and demonstrate a refined expression with traditional drawing materials. DAYS/TIMES: Lec/Lab hours /week TBD
ARTHS-196 History of Medieval and Renaissance Art, (SC) 3 units
(54 hours lecture per term Recommended: Eligibility for ENGL 116/118 or equivalent). CSU, UC
A History of Western art from the Early Christian Period through the Renaissance. Stylistic changes are related to significant social and cultural changes.
|
Basilica Santa Maria di Fiore, (1463, year consecrated)
architects: Arnolfo di Cambio, Filippo Brunelleschi |
Course Description and Objectives
This course traces the history of Western art from the Early Christian Period through the Renaissance. Stylistic changes are identified and related to significant social and cultural changes. Consideration is given to the changing role of the artist socially, culturally, and within patronage systems. Students will examine works of art and their iconography, stylistic techniques, and different media with the goal of recognizing, understanding, and discussing various art forms in their broader contexts.
Students will have the full advantage of viewing examples of Florence’s architecture, public sculptures, piazzas, galleries and exceptional museums to support the learning experience. Fieldtrips to the city’s churches, galleries, and museums will enhance classroom lessons. With the aid of these first hand experiences, students will be able to analyze works of art in terms of historical circumstances and cultural values of Western Europe from the early Christian period through the Renaissance. Students will compare and contrast painting, sculpture, and architecture using an art historical vocabulary in the various styles of the chronological periods.
The class will focus on distinguishing differences in patronage and art production in Medieval and Renaissance art and architecture. Students will appraise the changing role of the artist in the Middle Ages and Renaissance. The class will visit local artists’ workshops and art collections to explore the personal relationships between artists/collectors and their city-environment. These visits will also encourage students to explore the art of everyday living in a Florentine neighborhood (what would Michelangelo have eaten for his lunch?).
DAYS/TIMES: Lec hours /week TBD
ARTHS-197 History of Baroque to Early 20th Century Art, (SC) 3 units
(54 hours lecture per term. Recommended: Eligibility for ENGL 116/118 or equivalent). CSU, UC
A history of Western art from the 17th century to early 20th century. Stylistic changes are related to significant social and cultural changes. Consideration is given to the changing role of the artist.
|
Artemisia Gentileschi (1593-1651)
Judith beheading Holofernes |
Course Description and Objectives
This course traces the development of art in the western hemisphere from the Baroque period through the early 20th century. Social, economic, cultural, political, religious, and technological influences on the art of each period are included in the scope of the course.
Students will examine works of art and their iconography, stylistic techniques, and different media with the goal of recognizing, understanding, and discussing various art forms in their broader contexts. Students will have the full advantage of viewing examples of Florence’s architecture, public sculptures, piazzas, galleries and museums to support the learning experience. Fieldtrips to the city’s churches, galleries, and museums will enhance classroom lessons.
Students will be able to analyze works of art in terms of historical circumstances and cultural values of Western Europe from the Baroque period to early 20th century. The class will offer opportunities to compare and contrast painting, sculpture, and architecture using appropriate aesthetic vocabulary in the various styles of the chronological periods: Baroque, Rococo, Neoclassicism, Romanticism, Realism, Impressionism, Post-impressionism, Expressionism, Cubism, and Futurism. Students will be able to distinguish differences in patronage within these centuries and evaluate the changing role of the artist.
DAYS/TIMES: Lec hours /week TBD
Bob Duxbury, Santa Rosa Junior College